The 'King of Surf Guitar' Dick Dale Passes Away at 81

Surf rock legend Dick Dale has handed away at age 81.

Dale’s tune ‘Misirlou’ is effectively generally known as the opening credit sequence for Quentin Tarantino’s Pulp Fiction.  But that’s only one lasting relic of Dick Dale’s appreciable musical legacy.

Dale’s blindingly quick strumming fashion impressed acts like The Beach Boys and Jimi Hendrix.  When requested about his fashion, Dale mentioned it was impressed by the rumble and crash of the waves he surfed in California.

His greatest musical affect was — actually — the crashing surf.

Dale’s dying was confirmed by bassist Sam Bolle late Saturday evening.

No explanation for dying has been revealed but, however Dale had a protracted historical past of well being issues.  He has handled renal failure, diabetes, and most cancers all through his life.  Sadly, Dale was touring by lots of these diseases, admittedly to pay the payments for quite a lot of costly well being remedies.

Fans and celebs alike have been paying their respects to Dale on social media. He has typically been described because the “King of the Surf Guitar” and the “Pied Piper of Balboa Beach.”

Dick Dale was born Richard Anthony Monsour in Boston, Massachusetts in 1937.

His father emigrated from Lebanon, and his mom was a Polish Belarusian.  His music was influenced by his heritage, with Middle Eastern and Eastern European melodies steadily blended into unique scales that weren’t widespread in rock music.

Dale tried to study the trumpet and ukulele as a boy earlier than selecting guitar after shopping for one for $eight from a buddy. He grew to become a surfer after his household moved to California at age 17.

Those two parts quickly blended right into a revolutionary brew.

Dale developed his iconic percussive fashion of taking part in on a right-handed guitar, regardless of being left-handed.  Dale’s plucking of the strings typically meant he may put on a single guitar decide all the way down to a stub — even after taking part in only one tune.

Dale retired from music in 1966 after being recognized with rectal most cancers.  He briefly returned to music within the 1980s and continued to tour till his dying. I n 2012, he informed Vice News that his medical doctors suggested towards taking part in in any respect.

“They say I ought to by no means be on stage, I shouldn’t be taking part in. My medical invoice is over $three,000 a month to purchase provides I’ve to get for my physique.”

Dale credited his spouse Lana in that interview because the one who introduced him again to the stage.

The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81

The 'King of Surf Guitar' Dick Dale Passes Away at 81The 'King of Surf Guitar' Dick Dale Passes Away at 81

Kodak Black Scolds Young M.A For Not Wanting Her "Pussy Penetrated"

Young M.A just lately shut down Kodak Black’s public advances in direction of her, referring to him as “bizarre” for his persistent curiosity. In response, Kodak has made the state of affairs much more uncomfortable by reacting to her feedback throughout an Instagram Live session.

“I’m speaking ’bout the way you a lady however don’t need your pussy penetrated?” he mentioned. “Don’t be mad as a result of I would like you, child. Don’t be mad at me as a result of I would like ‘cha.”

Kodak has been publicly speaking about his sexual need for Young M.A, who’s open about being a lesbian, since February. His infatuation together with her started with an Instagram remark on a photograph and spiraled into her getting referenced a number of instances on his track “Pimpin Ain’t Eazy.”

“I’m fucking Young M.A, lengthy as she bought a coochie/Say she bought the strap and the toolie/Say she put the crack in her booty,” Kodak raps on the monitor’s second verse.

The hook additionally features a line about her: “I’m going Young M.A on these dumb bitches/Like a dyke, man, you niggas can’t fuck with me.”

Last week, Young M.A lastly addressed Kodak’s feedback whereas chatting with her followers on Instagram Live.

“Y’all maintain speaking about this Kodak state of affairs, bro,” she mentioned. “Y’all niggas is bizarre, bro … Obviously, the nigga is bizarre, bro. Obviously, he on some shit, bro … Y’all do that web shit an excessive amount of.”

Kodak’s phrases have come below scrutiny for being homophobic and resulting from his previous. The Atlantic Records artist is at present awaiting trial after being charged with sexual assault for allegedly raping a lady in 2016.

Taraji P. Henson Comments On “Empire” Atmosphere Amid Jussie Smollett Drama

Los Angeles, CA – Though Empire star Jussie Smollett was lately indicted on 16 felony counts and charged with submitting a false police report associated to an alleged hate crime in Chicago, Taraji P. Henson infers that all the pieces is ok on set.

According to an interview with Entertainment Tonight, the Golden Globe Award-winning actress insists the temper remains to be enterprise as ordinary, contemplating the authorized predicament Smollet is in.

“It’s a terrific environment,” Henson instructed ET of being on set following the scandal.

Smollett plead not responsible to all 16 counts on Thursday (March 15.)

Though the vast majority of the interview centered across the rumors and the fledgling new season of Empire, the What Men Want actress did handle to plug her upcoming movie The Best Of Enemies, the place she is about to painting Civil Rights Activist Ann Atwater.

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#BestOfEnemies In theaters April 5 🙏🏾💋💋💋

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“Racism remains to be right here and we’re nonetheless coping with it and that’s why these films are vital,” Henson spoke of her upcoming large display screen manufacturing.

“And the rationale why I like this film is the method is completely different,” she continued. “Ann realizes she has to vary her method.”

Catch all-new episodes of season 5 of Empire proper here, and keep tuned for Henson’s debut as Atwater in The Best Of Enemies in theaters on April 5.

MySpace Admits Losing 12 Years Worth Of Uploaded Music

Beverly Hills, CA – MySpace has confirmed it misplaced 12 years price of music uploaded on its platform.

“As a results of a server migration venture, any images, movies and audio recordsdata you uploaded greater than three years in the past could now not be accessible on or from MySpace,” the corporate stated in an announcement.

The social networking web site apologized for the inconvenience and included the e-mail deal with of its knowledge safety officer, Dr. Dana Jentzsch, in its assertion.

Andy Baio, who helped construct Kickstarter, shared his skepticism in regards to the state of affairs on Twitter.

“I’m deeply skeptical this was an accident,” he wrote. “Flagrant incompetence could also be dangerous PR, but it surely nonetheless sounds higher than ‘we are able to’t be bothered with the hassle and price of migrating and internet hosting 50 million outdated MP3’s.’”

MySpace aided within the discovery of acts corresponding to Drake, Nicki Minaj and Soulja Boy.

The web site’s personal “Stats & Facts” web page accounts for 14.2 million artists and 53 million songs.

NewsCorp bought MySpace for $580 million in 2005. They bought it to Specific Media, an advert focusing on agency, for $35 million in 2011.

To Convince Songwriters, Spotify Has Reportedly Planned Town Hall Meetings in LA and Nashville

According to 1 government, Spotify stays “very adept” at spinning half-truths to songwriters.

Spotify isn’t in good standing proper now with the music trade.  At least amongst prime executives, main music publishers, and American songwriters.

First, the corporate lastly launched in India a number of weeks in the past, amidst in opposition to Warner Music Group (WMG).  The music group had argued Spotify hadn’t correctly licensed or valued its catalog.  Despite “inappropriately claiming” a statutory license to make use of Warner/Chappell’s repertoire with out authorization, the streaming music large rolled out its music service within the area.

Blasting the transfer, International Conference of Music Publishers (ICMP) Director General John Phelan mentioned in an announcement,

Music publishers worldwide work within the curiosity of all creators and can combat for acceptable remuneration for all licensed use of their work.

“At the center of this drawback is the inappropriate use of music and the following undervaluation of songwriters – Indian and worldwide.

“ICMP and its members specific their full help of Warner/Chappell Music in its actions.”

ICMP represents a whole lot of publishers throughout the globe.  The National Music Publishers’ Association (NMPA), Australasian Music Publishers Association (AMPAL), Canadian Music Publishers Association (CMPA), and Korea Music Publishers Association (KMPA) among the many ranks.

Then, Spotify misplaced favor amongst main music publishers as soon as once more and songwriters.

After the U.S. Copyright Royalty Board (CRB) voted to extend songwriter royalties 44%, Spotify the choice.

According to the streaming music large, the ruling “raises critical procedural and substantive issues.”

In a prolonged assertion detailing its place, Spotify it hadn’t ‘sued’ songwriters.

The CRB price construction is complicated and there have been important flaws in the way it was set.  A key space of focus in our enchantment might be the truth that the CRB’s determination makes it very troublesome for music providers to supply “bundles” of music and non-music choices.

“This will damage customers who will lose entry to them.  These bundles are key to attracting first-time music subscribers so we will continue to grow the income pie for everybody.

Unfortunately, few folks purchased the corporate’s reasoning.

Now, Spotify hopes to persuade songwriters in a collection of public conferences.

Selling its ‘songwriter lawsuit’ by way of city corridor conferences.

The streaming music large has reportedly planned a number of city corridor conferences in each Los Angeles and Nashville.

In an e-mail, Mark Beaven, Founder and Co-CEO of Advanced Alternative Media (AAM), warned songwriters in opposition to attending.

Spotify is getting pushback from songwriters and their supporters.  So, it’s now campaigning to ‘make good’ and put a pleasant face and spin on issues.  They’re trying to carry songwriter ‘Town Halls’ in each L.A. and Nashville.”

Stating the streaming music large stays “very adept at spinning half-truths to songwriters’ detriment,” he added,

It’s vital that ought to there be such a Town Hall that there be a voice within the room aware of all the problems and their element (voluminous…) to talk on behalf of songwriters.

Should they attend, urged Beaven, songwriters ought to urge the corporate to permit NMPA President David Israelite to talk on their behalf.

If Spotify won’t enable David to be current, songwriters ought to strongly take into account not attending and advising Spotify they won’t accomplish that.  [The company] had the chance to have such a Town Hall earlier than making a problem.

Now they’re simply making an attempt to propagandize whereas the knife digs in deeper.

Stating the corporate has made “LOTS of $$$$ with its IPO” due to the exhausting work of songwriters, he concluded,

It has made that and its persevering with revenue on the backs of songwriters.  Every product they promote has at the very least one songwriter who created it.

“It’s time they really deal with songwriters just like the important ingredient within the music and their enterprise they’re.

Spotify has but to challenge a touch upon the report and Beaven’s e-mail warning.

 


 

ampsuite 5 Introduces Significant Content Management and Royalty Accounting Enhancements for Labels – Digital Music News

ampsuite 5 is right here!

The following article comes from ampsuite, a proud accomplice of DMN.

Since its launch in 2012, ampsuite has been offering file labels with a collection of software program aimed toward streamlining their workflow and automating a lot of the logistics concerned with working a label.  That consists of, in fact, the Royalty Accounting — phrases that unfold worry into most label heads each 6 months!

With purchasers together with Drumcode, Erased Tapes, Pacha Group, All Day I Dream, Cajual, Dirtybird, Stereo Productions & Iboga, the software program presents presumably essentially the most full suite of software program out there right this moment, to labels of all sizes.

(click on to enlarge)

ampsuite 5 offers the platform a contemporary new look, and slick new interface, and makes utilizing this software program a pleasure!

(click on to enlarge)

 CONTENT MANAGEMENT…

is easy and simple to make use of, with a number of highly effective performance linked to the discharge pages.  Manage your labels from wherever on the earth and ship them to a number of shops with the clicking of a button.

— Send releases to a number of shops/distributors

— Deliver below your personal direct offers or our non-obligatory distribution

— Quickly create compilations out of your again catalog

— Management information exports

 

ROYALTY ACCOUNTING MADE EASY…

ampsuite takes the ache out of royalty accounting.  Simply add your retailer/distributor statements and let ampsuite assign gross sales based mostly in your system settings, then generate and e mail royalty statements to your artists and labels on the click on of a button.

— Import statements from all main shops and distributors

— Raise contracts to problem to your licensors, that may be signed digitally on-line

— Generate XLS statements to e mail to your licensors

— Account to artists, labels or different third events

— Allows advanced choices comparable to territory/retailer particular contract offers

— Add bills and changes

— Process bodily product gross sales

DJ PROMOS ON THE MOVE…

ampsuite will get your music to the individuals who matter with an expert promo module. Customizable cellular pleasant promo templates imply DJs can entry your promos on the go.

— Customizable cellular pleasant promo emails

— Download as mp3, wav, zipfile or to dropbox

— Automatic bounce again detection and tackle elimination

— View suggestions and obtain to excel and pdf or e mail to artists robotically!

NEWSLETTERS…

offers purchasers each an automatic choice of sending a predefined template e-newsletter to your fanbase each week /month, together with all the most recent launch information taken straight from ampsuite itself.

— Design your self your e-newsletter with template builder software!

— Track e-newsletter supply & bounce again

— Create a number of lists

— Add tales and options

ANALYTICS…

offers a shot of adrenalin to your numbers and takes your grasp of gross sales to the following stage!

ampsuite processes your entire gross sales information (downloads / steams / bodily) and pulls it collectively, permitting you to have a look at general gross sales by label / launch / observe, in each financial phrases and items.

— view by Retailer / Territory / Sales Type

— carry out advanced evaluation of your imported gross sales information

— view on display graphs and information of earnings and unit gross sales

— export information to excel for administration reporting

DAILY SALES…

giving you a similar beautiful graphical and items view accessible in analytics, however this time displaying your DAILY RETAILER gross sales information, being pulled into ampsuite from both your direct retailer accounts or type distribution with ampsuite.

— Display gross sales items / income

— View gross sales by Territory / Top 10 and PLAYLISTS, displaying the playlists your catalogue has been included on at Spotify, and the streams they’ve generated

— view a number of retailer feeds

PUBLISHING MODULE…

ampsuite additionally presents a stand-alone or built-in publishing module, which lets you increase publishing contracts and handle publishing content material!

Users can import and course of publishing income statements, then generate outgoing author statements on the click on of a button too!

Of course there’s extra to ampsuite, and put merely, it makes working a file label easy.  But listed here are only a few different cool options included within the software program.

FREE TRACK TOOL, permitting you to present away a observe in alternate for individuals signing as much as your mailing listing or your social media channels.

YOU TUBE VIDEO CREATOR, which creates a YouTube video of the tracks held within the system and uploads them to your channels for you (it may do the identical for our Soundcloud channel too!)

COMPILATION BUILDER, create fast and simple  compilations from held within the system

WEBSITE FEEDS and the RSS FEED energy your web site from the information held inside ampsuite

ampsuite additionally has a cool DOWNLOAD STORE which they supply to their purchasers without cost and their labels are in a position to monetize gross sales from it with 100% of the income going to the labels PayPal account straight!

Suffice to say, should you run a file label, ampsuite has you lined…

‘taking label administration to the following stage’

www.ampsuite.com  |  

Dame Dash Faces $7M Defamation Lawsuit

Los Angeles, CA – Dame Dash is being sued for $7 million over defamatory social media feedback.

According to The Blast, director Josh Webber sued Dash after allegedly shedding cash as a result of Hip Hop mogul’s on-line feedback. Both males are at present in an ongoing authorized battle over a film the 2 labored on collectively.

The movie in query, Dear Frank, is directed by Webber and produced by his firm Muddy Water Pictures. Dash had been directing alongside Webber till he was fired from the venture in 2018 for allegedly behaving irrationally and being excessive on the set. Earlier this 12 months, Webber took the Roc-A-Fella Records co-founder to court docket as a result of Dash started advertising Dear Frank, which Dash was calling The List, as his personal film regardless of not being part of the movie.

Dash took the meat to Instagram when he posted about The List, writing, “I used to be going to take care of this later however I suppose I’ll should take care of it now…that is the film the listing #thelist that I directed and produced a few 12 months in the past… @muddfilms is pretending he owns this movie and @joshawebber (pure tradition vulture) is pretending he directed this film.

“I’m letting you recognize now we can be legally coping with this and anybody that touches this movie earlier than that is dealt with can be uncovered legally as effectively… and I do know @officialcshort @claudiajordan @brianjwhite @torreihart would by no means ever verify for something however the fact and solely the reality trigger it appears to be like such as you all are gonna have to inform it… #staytuned.”

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More bubblegum shit…I was going to deal with this later but I guess I’ll have to deal with it now…this is the movie the list #thelist that I directed and produced about a year ago… @muddfilms is pretending he owns this film and @joshawebber (pure culture vulture) is pretending he directed this movie I’m letting you know now we will be legally dealing with this and any one that touches this film before this is handled will be exposed legally as well… and I know @officialcshort @claudiajordan @brianjwhite @torreihart would never ever check for anything but the truth and only the truth cause it looks like you all are gonna have to tell it… #staytuned this dude thinks because I was kind enough to let him put up 100 grand just so he could stay in the movie after I found out @tonywhiteceo @tony4331 was lying about the budget means he owns this… #staytuned #whycantwejustdohonorablebusiness @vanlathan you saw the movie… here we go again we have to do better @variety @deadline @nytimes @balleralert @tmz_tv #staytuned all good this is just part of the game… #ceobeef

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Webber retaliated along with his personal submit, claiming, “He was HIRED by @muddfilms to ‘Direct’ the movie #thelist initially as a ‘celeb’ Director. I used to be the producer of the movie and requested to make sure that it really obtained made by ghost directing sure facets.

“Dame has no thought what directing a film really is or takes and was consistently yelling at crew members/solid, berating folks on set, smoking weed and principally sleeping on the wheel. Then whereas within the technique of ending the movie, Dame was being a scorching head with the studio government producer/financier stepping out of line and at last obtained FIRED!!”

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I wasn’t gonna speak on this bum but fuck him and his lies.. I won’t sit back and let this guy try to slander or bully me any longer. Truth is @duskopoppington is not a true independent artist or business man like he tries to pretend to be.. He was HIRED by @muddfilms to “Direct” the film #thelist originally as a “celebrity” Director. I was the producer of the film and asked to ensure that it actually got made by ghost directing certain aspects. Dame has no idea what directing a movie actually is or takes and was constantly yelling at crew members/cast, berating people on set, smoking weed and basically sleeping at the wheel. 🤒 Then while in the process of finishing the film, Dame was being a hot head with the studio executive producer/financier stepping out of line and finally got FIRED!! 🤡 ⌛️ I was approached to finish the job by directing the movie to completion and attached my company to help in its formal release. Really simple to understand. Everyone involved knows the truth especially our core cast @brianjwhite @claudiajordan @officialcshort #honorablepeoplesticktogether. This happened a long time ago already. He just mad because we about to put it out finally and had him cut out the movie entirely like the sucker he is. Dame is only sour because he put himself in a position to lose like he has done so many times in previous business’s. 🎙 He is only mad at himself for being an idiot and looking for someone to blame so he screams “Culture Vulture” Grow up! Don’t try and make this a race thing! #keepitmovingdummy #nobodycares #youmadbro @funkflex said it best #damedashisaliar and is the true #culturevulture, look up his history.. 👊🏼 @xxl @bet @vanlathan @tmz @entertainmenttonight @enews #damedash #ceobeef

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Webber claims that attributable to Dash’s actions and defamatory feedback, he’s misplaced a $6 million funding on one venture, which court docket paperwork say “particularly references the actions of Dash as the explanation the contract was terminated.” He additionally allegedly misplaced one other gig that may’ve paid $275,00zero.

For future losses, Webber is looking for an extra $565,00zero — a greenback for each considered one of Dash’s Instagram followers and YouTube subscribers.

In whole, the lawsuit is demanding Dash pay $6.84 million to Webber and $565,00zero to Muddy Water Pictures.

Beastie Boys & Spike Jonze Bringing Memoir To Live Stage

Following the October 2018 launch of the Beastie Boys Book, surviving Beasties Mike D and Ad-Rock have reunited with famed director Spike Jonze.

The longtime collaborators are teaming up for 3 particular occasions titled “Beastie Boys Story As Told By Michael Diamond & Adam Horovitz.” With Jonze on the helm, Mike D and Ad-Rock will recount varied tales from the 590-page e book.

Jonze, in fact, famously directed Beastie Boys’ “Sabatoge” video, which was taken from 1994’s Ill Communication. The visible was supposed to be a parody of 1970s crime drama reveals akin to Hawaii Five-O and Starsky and Hutch.

At the 1994 MTV VMAs, “Sabotage” was nominated for Video of the Year, Best Group Video, Breakthrough Video, Best Direction in a Video and Viewer’s Choice at however misplaced in all 5 classes.

During R.E.M. singer Michael Stipe’s acceptance speech for the Best Direction award, the late MCA crashed the stage in his “Nathaniel Hornblower” disguise to protest the shutout of “Sabotage.”

There are loads of tales like that in Ad-Rock and Mike D’s arsenals, lots of which can be instructed at every occasion.

The “Beastie Boys Story As Told By Michael Diamond & Adam Horovitz” occasions start on April 5 in Philadelphia at The Tower Theater. From there, they return to one of many 5 boroughs on April Eight-9 for back-to-back performances at Brooklyn’s Kings Theatre.

Tickets can be found here. 

Ninth Circuit Slams Alisa Apps' Copyright Infringement Lawsuit Against UMG

Alisa Apps simply couldn’t show UMG and John Newman had ripped off her generic lyrics.

Two years in the past, singer/songwriter Alisa Apps filed a lawsuit towards Universal Music Group (UMG) and British pop star John Newman.

According to Apps, Newman and UMG blatantly ripped off her tune, “Need To Know.”  Specifically, each had knowingly used Apps’ lyrics “I have to know now” in Newman’s “Love Me Again.”

Now, the 9th Circuit has dominated on the case.

Nope.  You can’t copyright generic phrases nor brief phrases.

Last yr, US District Court Judge Jennifer A. Dorsey ruled the singer/songwriter did not submit direct proof of copying.  As such, she was ordered to indicate UMG and Newman had infringed on her work, proving that they had “entry” to her work.

In brief, Apps failed to indicate substantial similarity between each songs.

According to her, the decrease court docket hadn’t thought of the “substantial proof” she had proven about each songs’ similarities.  So, Apps pressed the 9th Circuit Court of Appeals to take her case.

Ruling on the case, the Ninth Circuit panel didn’t discover any wrongdoing with the decrease court docket’s determination.

Slamming Apps’ lyrics as generic, the panel ,

The solely lyrical commonality between each songs is the phrase ‘I have to know now.’

In reality, UMG had offered strong proof its personal singers and songwriters have beforehand used the generic phrase.

[These] lyrics will not be authentic to Apps.  [Universal] confirmed that a minimum of 11 songs predating Apps’ tune included this frequent phrase.

In addition, the panel discovered Apps as soon as once more failed to indicate how Newman infringed on her work.  The solely ble argument she had made is how each works sound comparable.  Apps had contended UMG copied the sound recording.

The unique copyright in a sound recording doesn’t prolong to a recording of different sounds, ‘despite the fact that such sounds imitate or simulate these within the copyrighted sound recording.’”

Citing the copyright statute, the panel defeated Apps’ second declare.

We have held that even mimicking copyrighted recording is just not infringement absent precise copying.

You can view the ruling beneath.

 


Featured picture by Drew d. f. Fawkes (CC by 2.zero).

Hip Hop Album Sales: Juice WRLD’s "Death Race For Love" Debuts At No. 1 On Billboard 200

It wasn’t too way back when Juice WRLD was slowly rising from the shadows. Now, the Los Angeles-based rapper is sitting atop the Billboard 200 chart due to his new venture, Death Race For Love. The album catapulted to the No. 1 spot for the week ending March 14.

Elsewhere on the chart, Drake’s Scorpion album — which has been on the charts for 37 weeks — hops again within the Top 10 whereas Travis Scott’s Astroworld — which has jumped round for the previous 32 weeks — crawls again into the Top 10 as effectively.

The WRLD Is His

Juice WRLD’s Death Race For Love album is that this week’s high performer with 165,207 complete album equal models, 43,339 pure album gross sales and a streaming rely of 176,435,205. It marks the Chicago-born rapper’s sophomore effort, following 2018’s Goodbye & Good Riddance mixtape.

Upon the Goodbye & Good Riddance launch, it steadily climbed the Billboard 200, debuting at No. 15 with 39,00zero album-equivalent models in its first week. The following week, it jumped to No. eight with 45,00zero models and in its third week, landed at No. 6 with 42,00zero models.

Read the Death Race For Love evaluate right here.

Drizzy’s Back In The Top 10

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Dans mes sentiments

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Drake’s platinum-selling Scorpion album was launched late final June, nevertheless it’s nonetheless having fun with the fruits of its labor. After settling within the No. 12 spot final week, the venture is again within the Top 10 with 30,181 complete album equal models, 1,464 pure album gross sales and a streaming rely of 38,432,064.

The double album options Future, Lil Wayne, PARTYNEXTDOOR, JAY-Z and Ty Dolla $ign in addition to posthumous appearances from Michael Jackson and Static Major. It offered over 700,00zero models in its first week and subsequently debuted at No. 1 the place it stayed for 5 consecutive weeks.

The album was nominated for Album of the Year on the 61st Annual Grammy Awards whereas the “God’s Plan” single earned a nod for Record of the Year and Song of the Year. It finally gained Best Rap Song. “Nice for What” was additionally nominated for Best Rap Performance.

Read the Scorpion evaluate right here. 

… & So Is La Flame

Scott’s Astroworld can also be again within the Top 10. With 28,093 complete album equal models, 1,zero61 pure album gross sales and a streaming rely of 36,488,778, it strikes from No. 13 to No. 10 regardless of the four p.c dip in gross sales.

Serving as Scott’s third studio album, the album arrived final August, debuting at No. 1 with roughly 537,00zero models offered in its first week.

Nicki Minaj, who launched Queen that very same week, was adamant her venture ought to’ve taken the coveted spot and accused Scott of dishonest his technique to the highest by promising meet-and-greets with Kylie Jenner. Meanwhile, Queen sits at No. 92.

Read the Astroworld evaluate right here.

Top 10 Billboard 200 Rap & R&B Albums For The Week Ending 03/14/2019

Note: The first quantity under is that this week’s “complete album equal models” rely, an intersection of album gross sales, single gross sales, and streams carried out by Billboard’s new ranking system. A pure album gross sales determine is on the market in daring in parenthesis and details about every album’s streaming rely is on the market in brackets.

  1. Juice WRLD — Death Race For Love — No. 1 — 165,207 (43,339) [176,435,205]
  2. A Boogie Wit Da Hoodie — Hoodie SZN — No. 6 — 33,786 (265) [50,283,674]
  3. Post Malone — Beerbongs & Bentleys — No. 7 — 31,641 (1,834) [40,636,354]
  4. Gunna — Drip Or Drown 2 — No. eight — 31,222 (314) [42,812,696]
  5. Drake – Scorpion —No. 9 — 30,181 (1,464) [38,432,064]
  6. Travis Scott — Astroworld — No. 10 — 28,093 (1,zero61) [36,488,778]
  7. Meek Mill — Championships — No. 11 — 27,850 (688) [36,289,663]
  8. Offset — Father Of four — No. 12 — 27,571 (399) [36,757,825]
  9. Various Artists — Spider-Man: Into The Spider-Verse — No. 13 — 26,559 (2,613) [31,277,322]
  10. 2 Chainz — Rap Or Go To The League — No. 14 — 25,645 (three,zero20) [28,717,006]

Top 10 Billboard 200 Rap & R&B Albums For The Week Ending 03/14/2019

Note: The first quantity under is that this week’s “complete album equal models” rely, an intersection of album gross sales, single gross sales, and streams carried out by Billboard’s new ranking system. A pure album gross sales determine is on the market in daring in parenthesis and details about every album’s streaming rely is on the market in brackets.

  1. Juice WRLD — Death Race For Love — No. 1 — 165,207 (43,339) [176,435,205]
  2. A Boogie Wit Da Hoodie — Hoodie SZN — No. 6 — 33,786 (265) [50,283,674]
  3. Post Malone — Beerbongs & Bentleys — No. 7 — 31,641 (1,834) [40,636,354]
  4. Gunna — Drip Or Drown 2 — No. eight — 31,222 (314) [42,812,696]
  5. Drake – Scorpion —No. 9 — 30,181 (1,464) [38,432,064]
  6. Travis Scott — Astroworld — No. 10 — 28,093 (1,zero61) [36,488,778]
  7. Meek Mill — Championships — No. 11 — 27,850 (688) [36,289,663]
  8. Offset — Father Of four — No. 12 — 27,571 (399) [36,757,825]
  9. Various Artists — Spider-Man: Into The Spider-Verse — No. 13 — 26,559 (2,613) [31,277,322]
  10. 2 Chainz — Rap Or Go To The League — No. 14 — 25,645 (three,zero20) [28,717,006]

Warner/Chappell Writes Open Letter, Vowing to Defeat Spotify's CRB Appeal

Warner/Chappell has lent its assist towards Spotify’s choice to attraction the CRB songwriter royalty enhance.

Last month, in a split-decision, the U.S. Copyright Royalty Board (CRB) dominated in favor of a 44% songwriter royalty enhance on streaming music companies.

Praising the ruling, National Music Publishers’ Association (NMPA) President David Israelite ,

NMPA and NSAI [Nashville Songwriters Association International] fought laborious to extend songwriter royalties by 44%.

He additionally warned digital music companies to keep away from interesting the CRB’s choice.

The digital music corporations now have 30 days to attraction that ruling, and in impact declare struggle on songwriters.

The CRB’s ruling marks the primary time in 110 years songwriters have obtained a royalty enhance.

The transfer didn’t sit effectively with main streaming music corporations.  Soon after, Spotify, Pandora, Amazon, and Google the 44% enhance.  Working in tandem, they filed a discover with the U.S. District Court of Appeals.

According to all 4 corporations, the ruling “raises severe procedural and substantive issues.”

The attraction didn’t sit effectively with prime music business executives and notable songwriters.

In a put up to his 89 million followers, Irving Azoff ,

Apple understands they’re within the artist enterprise.  Clearly, Google, Pandora, Spotify and Amazon don’t.

Apple had quietly chosen to assist the songwriter royalty enhance.

Justin Tranter, who has written songs for Ariana Grande, Fall Out Boy, Justin Bieber, 5 Seconds of Summer, and Gwen Stefani, added,

Without songs, these tech corporations don’t have anything to stream/promote.  Shameful.

Others weren’t as cordial.

Pushing for music followers and songwriters to “mobilize” towards Spotify and Amazon, Kenny MacPherson, Founder and CEO of Big Deal Music, wrote,

Jeff Bezos might be the richest man on this planet and Daniel [Ek] is on his means.  They created an excellent product, so why not assist one other nice creation – SONGWRITING.

Dina LaPolt, a notable music lawyer, took a extra direct method of her criticism towards the streaming music large.

Spotify, you low cost items of s—t.   F—okay you and your secret bulls—t Genius awards.  You ought to be ashamed of yourselves.”

Now, a significant music writer has printed an open letter, slamming the businesses who’ve challenged the CRB’s ruling.

Warner/Chappell stands with songwriters.

Standing with a latest assertion from Sony/ATV, Warner/Chappell has also urged its songwriters to battle again.

In an open letter, Carianne Marshall, the corporate’s Chief Operating Officer, wrote the CRB had granted a rise of obligatory mechanical charges.  Paid to songwriters, charges would enhance from 10.5% to 15.1% over the subsequent 5 years.  The choice got here, she added, after “rigorous session” with many corporations.  These included a variety of tech corporations, in addition to songwriters and publishers.

The ensuing charge enhance was truthful in addition to overdue.”

Adding the controversy ought to have ‘rested’ there, Spotify, Amazon, Google, and Pandora as an alternative appealed the choice.  These corporations, wrote Marshall, did so with the goal of decreasing or eliminating the royalty charge will increase.  The CRB had granted this to songwriters.

The National Music Publishers’ Association (NMPA) and different commerce our bodies, of which Warner/Chappell is a member, are being very vocal of their opposition to this attraction.

Stating the writer values its relationships with corporations that assist ship music to followers, Marshall referred to as the attraction “unacceptable.”

As such, we’ll vigorously search to guard the worth of music and passionately promote the rights of songwriters.

Warner/Chappell, she continues, has pledged to work carefully with the NMPA and policymakers in Washington DC to make sure the attraction’s defeat.

We additionally encourage you to lend your assist to NMPA by retweeting them here.

If you may have any questions, we’re all the time right here to speak.

Carianne.”

 


 

Spotify Hits Back at Apple — 'Every Monopolist Will Suggest They Have Done Nothing Wrong'

Spotify’s feud with Apple continues.

According to Spotify CEO Daniel Ek, Apple purposefully limits alternative and stifles innovation on the expense of person expertise via the App Store.

Filing with the European Commission, Ek accused the Cupertino firm of intentionally appearing as each a participant and a referee to intentionally drawback app builders.

For years, Apple has taxed all iOS builders, taking a 30% lower of all in-app purchases and subscriptions.  Ek says paying this tax would pressure his firm to “artificially inflate the value” of Premium.

Should Spotify introduce a workaround, Apple would quickly apply a collection of technical and experience-limiting restrictions.

Streaming music opponents Deezer and Anghami agreed.

A Deezer spokesperson defined,

iOS and Apple customers who love music streaming are disenfranchised, with larger charges and fewer practical choices in consequence.

Elie Habib, Anghami’s Co-Founder, added,

I feel your entire music streaming business stands behind Spotify on this battle – as a result of it’s blatantly anti-competitive.

Going on the offensive, the streaming music large then created a web site outright attacking Apple – TimetoPlayFair.com.

Apple rapidly .

Taking intention on the streaming music large, the Cupertino firm claims Spotify has demanded “one thing very completely different.”

According to the corporate, Daniel Ek’s music service has used the App Stores for years to “dramatically develop” its enterprise.  Now, with the antitrust submitting, Spotify seeks just one factor — to maintain the advantages of the App Store ecosystem, together with the substantial income they draw from shoppers, with out making any contributions to .

Then, the corporate went on the offensive, accusing Spotify of intentionally suing music creators.  This got here proper after the Copyright Royalty Board required Spotify to extend its funds to songwriters.

Now, Spotify has as soon as once more gone on the offensive.

Can you belief a monopoly?

In response to the Cupertino firm’s sharply worded submit, a Spotify spokesperson said,

Every monopolist will counsel they’ve finished nothing unsuitable and can argue that they’ve the perfect pursuits of opponents and shoppers at coronary heart.

In that approach, Apple’s response to our criticism earlier than the European Commission isn’t new and is completely according to our expectations.

According to the rep, the App Store hurts competitors and shoppers.  This, the rep writes, is in “clear violation of the regulation.”

This is clear in Apple’s perception that Spotify’s customers on iOS are Apple clients and never Spotify clients, which works to the very coronary heart of the difficulty with Apple.

We respect the method the European Commission should now undertake to conduct its evaluation.

 


Featured picture within the Public Domain.

Kodak Black Says He Punched Sticky Fingaz

After beefing with Lil Wayne, Kodak Black is revealing an encounter with Sticky Fingaz that turned violent.

Taking to Instagram Live, the “ZEZE” rapper claimed that he assaulted the Brooklyn rap veteran after he stepped onto his tour bus.

“I ain’t like his outdated head power, ’trigger I don’t actually like older folks like that,” mentioned Kodak ( Complex). “I’m a ’90s child. I don’t acquired no respect for y’all. So, this n***a he was on my bus, like—I ain’t by no means say this, however tonight I’m gonna say it. This f**okay n***a, he was playin’ loopy on my bus, and I ain’t like that. I ain’t even know why my cousin let this f**okay n***a [him in] or the place he met this n***a at. I ain’t like how he was dancin’, I ain’t like power. I ain’t like his little ’70 child, ’80 child, no matter his technology vibe […] I punched that n***a lifeless in his shit.”

Kodak then grabbed Sticky Fingaz’ bag and went by it, allegedly discovering a gun inside. He tried to shoot Sticky earlier than discovering that the weapon was faux.

“When I attempted to shoot the n***a, his gun was faux,” added Kodak. “I’m like, man, what the f**okay? So he went working. But on the identical time, I’m feelin’ like, ‘Why you working for if you realize your gun faux?’ This n***a an actor n***a, man.”

According to Kodak, the Onyx rapper ran off the bus earlier than he destroyed his digicam. Sticky returned with “faux safety guards” whereas Kodak searched his bus to see if his safety had left any weapons.

“They see their entire bunks flipped over and shit ’trigger I used to be searching for a scrap so I may blow this ni**a again out,” mentioned Kodak.

Watch his account of the run-in under.

Watch the Trailer for Meek Mill’s Docuseries ‘Free Meek’

Meek Mill’s docuseries is coming to Amazon.

Before a sold-out crowd in his hometown of Philadelphia over the newly-designated Meek Mill Weekend on Saturday (Mar. 16), Meek Mill debuted the official trailer for his upcoming Amazon Prime Video documentary, Free Meek.

Free Meek follows Meek and his combat for freedom whereas advocating for felony justice reform. Executive produced by JAY-Z, Eli Holzman, Aaron Saidman, Paul and Isaac Solotaroff, the collection will provide “unprecedented entry” into Meek’s life and profession, whereas “demonstrating the unfavorable results lengthy tail probation is having on city communities of shade,” based on a press launch.

“I by no means actually checked out it as a nightmare,” says Meek whereas reflecting on his journey within the minute-long trailer. “I checked out it as actual life for a black child in America. This is actual life.”

Free Meek will premiere this summer season on Amazon Prime Video. Watch the teaser under.

#DXCLUSIVE: Weazel Loc Wrestles With Sin In "Whodat Whodat/Please Forgive Me" Mini-Movie

HipHopDX Premiere – Weazel Loc — one of many underdogs from the Diirty OGz with a self-described “massive chunk ” — has surfaced with a brand new two-part visible for “Whodat Whodat/Please Forgive Me.”

The monitor comes from the West Coast gangsta rap vet’s forthcoming Gangsta Guaranteed album, which is produced by fellow Diirty OGz/Compton’s Most Wanted member Tha Chill and the West Coast’s go-to producer Rob Tee. The challenge additionally options contributions from the Chill, Kokane, Kurupt and Big Tray Dee.

“It was cool engaged on the album for me as a result of me and Weaz are bros,” Chill tells HipHopDX. “It was simple ’trigger I do know his household — from his children to mother and pop. We spent over a yr with this challenge and it wasn’t like we planed it. It was pure.

“Every tune is a temper for the day on how we was feeling on the time … simply bros blowin’ a blunt or two and rockin’ some good ol’ West Coast G-boy shit for the heads that also need that banger music. Weazel Loc and Tha Chill — no brainer, the dopest to nonetheless hold it G.”

The visible, then again, is the imaginative and prescient of TRACKBABY Films and finds the seasoned rapper in a precarious state of affairs. But, Loc’s gotta do what he’s gotta do. Ultimately, he winds up at a church begging the lord for forgiveness.

Gangsta Guaranteed is predicted to reach on April 5.

In the meantime, cop “Whodat Whodat” here and “Please Forgive Me” here, and watch the visible up prime.